Brother, can you spare a dollar?

Theatre’s a hard business. You certainly don’t enter theatre to become rich. It can happen. Like you can be struck by lightning – it’s just rare. Making theatre, especially independent theatre is expensive. When patrons come, they still want a good quality production to compare with the big guns with big budgets, and trust me, as an independent producer – that’s what I want too. I just wish I had the budget. But it is incredible how much we are able to do on the smell of an oily rag.

Before we would hold fundraising nights and hope we could get people through the door or hit up businesses for sponsorship. Sometimes both would work, and then sometimes they would fail miserably. That’s why the rising popularity of crowd funding has been a true God send. It gives us an opportunity to have our friends, family, neighbours, work collegues, peers or just some random off the street, the opportunity to help fund the work we love so much. Even better is that people are able to donate whatever they can afford, with donations as little as $1 permitted, or of course a massive donation – if that’s what your heart desires.

So here I stand, hat in hand, asking if you are able to help my latest theatrical endeavour, “Hell Hath No Fury” – opening at Revolt in Melbourne in November. The play is a 16 women extravaganza set in a hairdressing salon. We are planning on building a realistic hairdressing salon on stage, equipped everything, including a sink (just not the kitchen one). It’ll hopefully be so good you can literally get your hair cut there.

We have a page at the moment with Pozible, a great site helping so many people. We have a total of $1700 we’re going for (we need to raise that money for any donations to be processed). After 2 days, we have basically raised $200, so a lot more money still needs to be pledged.

The link is www.pozible.com/hellhathnofury - please help us out and keep independent theatre a strong and viable art form. And plus, I’ll think you’re pretty tops!

Wayne

The 16 Meet

                                        The cast in a crudely taken photo at the 1st read


So my next theatrical endeavour is the Melbourne premiere of my 16 women opus, “Hell Hath No Fury”. Yes you read right, 16 women. I did this show once before in Sydney and it was truly one of the most rewarding experiences of my life – I made life long friends from that show.

So the pressure was on me when casting. Some actresses were precast, and some came via auditions (you can always guarantee when you have roles for young women there will be many to choose from during auditions). In the end I was pleased with the casting, but nothing could be certain until we got them together . A few actresses mentioned they were a little nervous meeting that many other cast members – I was just genuinely excited. And it wasn’t a let down, we met, we shared strange facts about each other and we laughed. Mostly importantly we read the play and the cast already sounded great. It was such a wonderful thing hearing the words again. The last production fading away and these ladies becoming these great characters.

So now rehearsals begin, well if I can ever get the schedule for 17 people sorted. There should be a lot of fun to be had, but also some hard work. All in preparation for bringing you an awesome show this November.

Wayne

Visit "His Room"

                                             Photo by Bob Seary

It seems so very long ago I wrote the play, “His Room”. It would have been 2006 when I was writing it. It had been a story I had in mind for so long. Infact, the first play I ever wrote back in year 4 was called, “The Lost Boy”. I seemed to have this unusual paranoia as a child that I’d be adducted. This seemed to manifest in my mind for many years before I wrote this play about a lost child who never came home and his family haven’t been able to move on.

“So what’s better, to be dead and loved, or alive and invisible?”

I’ve looked at putting on the show before, but have never found the right home. This seemed like such an important work to me and I wanted it to be nurtured. As someone who writes a lot of comedy, this painful drama felt like it needed special treatment. Then when the opportunity for the True West season at my old stomping ground, Parramatta’s Riverside Theatre, came up – it seemed perfect.

I’d talked to the talented Liane Norman about directing this play for years, as we’ve been looking for the right project to work on together. I’ve always knew I wanted Lynden Jones and Christine Greenough as Steve and Maggie respectively. I admire them both so much, both as people and actors and knew they were what was needed for these tough roles. Add to the mix, Amanda Marsden, Gabriel McCarthy and Barton Williams; and there’s an amazing little ensemble.

I was fortunate enough to travel back to Sydney, stay in my childhood home and see the show 4 times last week. Wow did I weep. The production was heartbreaking. I felt very fortunate that so many of my wonderful friends came to see the show, even some flying up from Melbourne to see it.
So there’s only 3 shows left over the next 2 days. There may be a lot going on in Sydney this weekend with Fringe, but do yourself a favour – head to Parramatta and see my heart on the stage. Also you’ll see some powerhouse performances.

“And somehow he’ll find his way back to me, back to his rightful home.”

EVERYTHING OLD IS NEW AGAIN

Thursday September 20, 2012

                          Photo from "His Room" - Amanda Marsden & Lynden Jones
                                                    Photo by Bob Seary

So I’ve attempted to blog a few times and always ended up a slack tart who didn’t follow through. No more, gonna do it this time. And plus, this is actually the blog for my company, Tunks Productions. I’m a shameless self promoter, so I have to follow through.

It’s been another busy year for the company with a few productions under our belt. There was “37 Ways To Say I’m Gay” in January and “Things Not To Do After a Break Up” in June. Plus I directed my own script, “21” in March for Studio Eleven.

My plays are also starting to be produced by other companies.  A 2nd Tasmanian season of “The Bridesmaid Must Die!” took place in July. Then later this year there will be another production of Bridesmaid, this time in Sydney and a Gold Coast company are taking on “The Burlesque Effect”.
Right now “His Room” is playing in Sydney, opening the True West Theatre Season at my old stomping ground, Parramatta’s Riverside Theatres. This is a great little production on until Saturday, so if in Sydney, please go see it.

Next up is the Melbourne premiere of my 16 women show, “Hell Hath No Fury” at that great venue, Revolt. We start rehearsals on Sunday and I am very excited! Stay tuned for further details.

Then finally I have a new play preparing for Midsumma next year. It’s called, “Fag Boy & The Married Guy” and I am so thrilled we’ll be premiering this play at La Mama, one of my favourite Melbourne venues.
Plus there’s the big screen adaption of “37 Ways To Say I’m Gay” taking place next year.
So much work, so much self promotion – I better get blogging!